A blog about poetry, the writing and reading thereof, and also about the stuff of the world that goes into making poetry, which is to say, everything
Monday, February 22, 2010
Dear Scent of Paste in a Midwest Schoolroom
It is not nostalgia, this feeling you evoke, it is surety, with you I know every letter in my name, written under a hook in the coat room, the teacher calls it our "cloakroom," my name is there above my blue sweater, and also in the classroom, above a yellow cubby next to a picture of a duck. Scissors here are rounded, boxes of crayons are new, and filled with regiments of primary soldiers, I love their tin woodsman hats, and you, scent of paste in a midwest schoolroom, I hardly know whether to breath you in and then gunk up my finger and lick at your sugarless creamy appeal, or take up my blunt scissors and cut out a brown stick and cut out a green circle and so glue together my first portrait of a tree.
Tuesday, February 16, 2010
Dear Russia,
Frank O'Hara always did love
you best, and one of my
great loves
has been Frank O'Hara,
but why should we
share you? I like snow,
and I like the early darkness,
and I think I could come
to appreciate a skylight
half-open on the top floor
of a six story walk-up, dark
bread, hard cheese, and a bowl
of borscht for supper, and I'd
look up
and hope for a glimpse of a star, but
Russia frankly
your distances frighten me and Russia
I am not fond
of vodka, or tears, oh Russia
Frank O'Hara
is one of the icons, his eyes
smudged with candle smoke,
his laughter a gang of cossacks
on vacation, three sheets
a madras bedspread and an army
blanket to the wind, they attempt to cross
the half-frozen river.
you best, and one of my
great loves
has been Frank O'Hara,
but why should we
share you? I like snow,
and I like the early darkness,
and I think I could come
to appreciate a skylight
half-open on the top floor
of a six story walk-up, dark
bread, hard cheese, and a bowl
of borscht for supper, and I'd
look up
and hope for a glimpse of a star, but
Russia frankly
your distances frighten me and Russia
I am not fond
of vodka, or tears, oh Russia
Frank O'Hara
is one of the icons, his eyes
smudged with candle smoke,
his laughter a gang of cossacks
on vacation, three sheets
a madras bedspread and an army
blanket to the wind, they attempt to cross
the half-frozen river.
Sunday, February 7, 2010
a flame is kindling in the robin’s throat.
I have been following the work of poet Sarah Sloat for a while now. Actually, I have been aware of her work ever since I was idly googling myself one afternoon and found she'd added one of my poems to a list of some of the best things she'd read online recently. So she is a woman of taste and sensitivity. But also a interesting poet herself, writing work in a voice that is quirky, adroit, charming, with a dash of earned bitterness, and heaps of smarts. She has a chapbook, In The Voice of a Minor Saint. You can get it here. My favorite work of hers I've read this year is a collection of prose pieces called "Attending the Tasting." And I am not alone in my admiration, it won a Best of the Web 2010 Award. The title of this blog post is a quote from "Attending." Attend, friends.
Monday, January 25, 2010
Lately I keep noticing wrought iron benches
Oh you black iron
park bench empty
and waiting
for something beautiful as snow,
oh you black park bench
occupied
by sunlight
and the invisible
buttocks
of one hundred
grumbling
urban ghosts,
black
iron bench I
will scratch my name
on your arm
before the bus arrives
and takes me in
chains to
the castle of the day
park bench empty
and waiting
for something beautiful as snow,
oh you black park bench
occupied
by sunlight
and the invisible
buttocks
of one hundred
grumbling
urban ghosts,
black
iron bench I
will scratch my name
on your arm
before the bus arrives
and takes me in
chains to
the castle of the day
Monday, January 18, 2010
Dear Night,
Thank you for the crows, the day
has borrowed them
for a very long time, and I
want you to know (as the crows certainly
know) that their calls to each other
from the ledges
of buildings and the wet branches
of sidestreet maples, the way they
rejoice at the opened envelope
of a deer by the side of the road,
their flight, whether silent
or harpied, all flurry and rasp,
all of these things should be
happening
at night, dear night, your
time, your place, and so dear night
I have arrived to broker
a deal: we will give you back
the crows. We will include the sawbox
containing their voices, and slide everything
into the drawer of underbrush rustle,
a coyote's bark, an argument
in the beastly dark. All we need
in exchange are your bonfires,
those midnight bursts of morning, and later
we can discuss the true
home range of the moon--despite
your best efforts it has been seen
in the firmament one late
July morning.
Thursday, January 14, 2010
Dear Chihuahua Who at One Time Belonged to Gertrude Stein
You belonged because we knew
you, you barked because
barking is something that a small dog might
do, you
barked
as if to say that you were not
all that
small, in the basket
in the basket in which
they carried you. When the ladies
made love you were locked
outside the door because you barked.
When the ladies wove a basket you dad-gummed
the knotted handle. You were Gertrude's dog
and you did not know me. I am I
I say because of that one
invitation
to their house in the country; sometimes
a little dog
can be a view
Monday, January 11, 2010
A Ferocity Even From the Remove of the Kitchen Window.
Yesterday my dad woke me up, calling to me to say there was a hawk in the backyard. The hawk had a pigeon in its talons. A few feet away from the bird feeder, on top of fresh snow, the hawk plucked the feathers from the pigeon, and the hawk's curved beak probed and pulled strips of flesh from the carcass of the pigeon. It was beautiful and hypnotic to watch: a ferocity we could sense even from the remove of the kitchen window. The hawk looked like she was dressed for a military action, black bands on her slate grey tail, reddish bars, the color of a female robin's breast, across her chest and belly, and the startling white fluff of her rump. The pull, the tug, the task of plucking a meal. She (later an expert looked at the photos we took and said that a Cooper's Hawk who was large enough to catch a pigeon was surely a female) she was such a harsh and lovely representative of nature "red in tooth and claw." I wonder if I'd feel so kindly toward her if she'd caught a cardinal, or a woodpecker, some bird I see as a "real" bird and not some urban trash. Pigeons, after all, have their own flocking beauty, silver and startling against a grey winter sky. This makes twice in the past couple of months that I've seen a Cooper's Hawk, that baroness, crouched over her kill near a birdfeeder. The first time was in Chicago--Darren and I leaving for breakfast disturbed a hawk at her own meal in the courtyard. She grabbed it and fled. Circle of soft down whirling a bit in the wind over larger feathers, speckled red droplets in the snow. This hawk had killed a pigeon in suburban Michigan. The backyard feeders were silent and deserted the rest of the day, not even the plump squirrels nuzzled the ground below for the peanuts Dad puts out for them--somehow word got out that this was a crime scene. "Somehow" being the feathered circle, the red dots, mournful in the snow. But I had not thought the little brains of feeder birds capable of making these deductions and associations. Does every bird have a bird who would make of it a meal?
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